Live Mixing Vocal Compression

Lead vocals in pop and mainstream music are the centre point of the mix.

Live mixing vocal compression.

It evens out the often erratic levels that a singer can produce and tames transients that can cause digital distortion. I wish i could do that too. If you must use compression we recommend trying a ratio no higher than 3 1 for live use along with shorter release attack times. Some recording engineers think compression is a must for vocals.

Because humans are expert listeners any small unnatural sounding volume jump or dip will be noticeable and detract from the power of the melody and lyrics. Many bloggers will tell you what the perfect vocal compression settings are. At this point you re done. Rather than using one heavy compressor with a 10 1 ratio that s applying 10 db of gain reduction it s better to use multiple compressors that each chip away at the.

And i don t want to mislead you. In a live setting try dialing back the compression settings if you re using compression at all on your vocal channel and instead use the volume fader to control how the vocals sit in the mix. There are no magic settings that work 100 of the time. There is no one size fits all formula to vocal compression.

If you want to learn more about using compression on vocals and further improve your mixes you can read my in depth guide to vocal compression and also download my free vocal compression cheat sheet below. Compression settings for lead vocals should be as natural sounding as possible. But the truth is it s not that easy. Your vocals should sound 100x better than they did before especially if you followed all of the other vocal mixing steps mainly equalization first.

To achieve subtle natural sounding compression on your vocal it s best to use multiple compressors throughout the mixing process this is called serial compression. Heck it d certainly save me a few keystrokes.